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INSPIRED BY THE 50TH ANNIVERSARY CELEBRATION OF AFRICANA STUDIES AT

WILLIAMS COLLEGE, HELD APRIL 4-7, 2019, THIS SITE EXISTS TO SUPPORT EXCELLENCE IN BLACK LIFE AND FOSTER COMMUNITY AMONG ALL WHO ARE CONNECTED TO WILLIAMS COLLEGE.

 

 

 

50th Anniversary Home  |  Our Stories  >  The Beloved BSU Murals

 

  O U R   S T O R I E S   [ Reflections On Black Life at Williams for the Classes of the 1970s and 1980s. ]

The Beloved BSU Murals at Mears House

Murals by One of Our Own

Jerome Meadows is the artistic mastermind behind the murals that once adorned the basement walls of Mears House, the one-time home of the Black Student Union at Williams College.

When the Murals were painted, Jackie Laughlin, Class of 1975, and Jerome Meadows were married, and had their first child, Jordan.  No one has more intimate knowledge the murals than these two.

Above is a recent photo of Jerome Meadows, submitted by Jackie Laughlin, shown below with their infant son, on Graduation Day, Williams College.

Jackie remains an active member of WBAN, and during the close of the AFR50 Anniversary Celebration, she spoke words of gratitude to the event's organizers, as shown below.

 

Meet the two amazing kids Jackie and Jerome celebrate - together!

Click | Black Williams Extended

 

A Huge Shout Out To The Man Who Photographed The Murals Before They Were Demolished

Mike Reed '75

 

Jackie Laughlin '75

Gives an Account of the Murals

in the Basement of Mears House

Home of the Black Student Union

(1970s-1980s)

"The mural was "commissioned" by the BSU; and when it was cold, unfamiliar, or we just needed to see some other images and dreams in color, we could go to the basement of Mears House and reflect."

Jacqueline Laughlin '75

 

Edited by Dan Perkins '78

The images of the BSU Murals, shown below, were taken by Michael Reed (Class of 1975), and were the work of my then spouse Jerome Meadows. Though not a Williams student, Jerome was a pivotal person in my life, and in the lives of many at Williams.  I met him there on campus in the summer, prior to my start in September of 1971.  He was an ABC (A Better Chance) summer student; and then later an ABC tutor. Later, we were on staff at the Williams ABC House.  I was their cook and other mom-big sister. We ate with the ABC students; and this was important as the House was one of the first to have inner city kids attend a public high school in the area, in this case, it was Mount Greylock.

Jerome attended, as did our son, [RISD] Rhode Island School of Design, in Providence, Rhode Island.  I attended Brown University my sophomore year to be with him; and to study black culture and anthropology with the late Michael Harper.  Jerome agreed to return with me after graduation in 1973 for two years until my graduation.  We were married August 31, 1973, in Florida, Massachusetts, a small hamlet on the Mohawk Trail, in a 19th century unheated farmhouse. We had our son Jordan, who everyone called Monk, in September 20, 1974, the fall of my senior year.  I graduated on time, with my classmates, in June of 1975. 

Jerome was, and is a brilliant artist. He articulated for me personally, and to many of us collectively, the intersection between art, history, family, community, and all the things we address in policy and public action. Seeing yourself conceptually, with and without words, is very important.  This mural was "commissioned" by the BSU; and when it was cold, unfamiliar, or we just needed to see some other images and dreams in color, we could go to the basement of Mears House and reflect.  Jerome took the stories of the students, and our journey, and brought them to life, and in living color. The mural took several months, or most of his first year there. He worked when he could, first at Potvin Lumber; and then later, he taught at Pine Cobble School; and we lived there on their campus my senior year.  When Mears House was remodeled, and the BSU no longer housed there, Michael Reed, then a dean in the administration at Williams, had the foresight to take photos, when no way could be found to have the murals reproduced, or safely moved for the reconstruction.

 

Wall No. 1

Jerome was, and is a brilliant artist.

Jacqueline Laughlin '75

 

Details of the Images in Wall No. 1

(Left to Right)

 
 

Wall No. 2

 

Wall No. 2 (Left Half)

Though not a Williams student, Jerome was a pivotal person in my life, and in the lives of many at Williams.

Jacqueline Laughlin '75

 

Details of the Images in Wall No. 2

(Left Half of the Wall)

 
 

Wall No. 2 (Right Half)

Jerome took the stories of the students, and our journey, and brought them to life, and in living color.

Jacqueline Laughlin '75

 

Details of the Images in Wall No. 2

(Right Half of the Wall)

 
 

Black Williams: The BSU at Williams  |    Top of Page

 

 

BLACK WILLIAMS 50 PLUS is a presentation of Dan Perkins, a cultural historian and business diversity consultant; and a proud member of the Class of 1978.

Throughout his professional life, Dan Perkins has been a Minority Business Advocate (MBA); connecting people, businesses and communities for good.

Copyright 2019.  All Rights Reserved.